THANKSGIVING TRIVIA GAME: Looking for zero-prep Thanksgiving activities for middle school? This trivia game helps keep your students learning and engaged, even in the days before a holiday break. It’s zero-prep for you, and text and images are 99% editable.

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Since Ragnarokthe great war between the gods and the forces of chaos—the human realm of the Midlands has become a desperate and dangerous place, bereft of magic.

Sixteen-year-old Eiric Halvorsen is among the luckier ones—his family has remained prosperous. But he stands to lose everything when he’s wrongly convicted by a rigged jury of murdering his modir and stepfadir. Also at risk is Eiric’s half-systir, Liv, who’s under suspicion for her interest in seidr, or magic. Then a powerful jarl steps in: He will pay the blood price if Eiric will lead a mission to the fabled Temple at the Grove—the rich stronghold of the wyrdspinners, the last practitioners of sorcery.

Spellsinger, musician, and runecaster Reginn Eiklund has spent her life performing at alehouses for the benefit of her master, Asger, a fire demon she is desperate to escape. After one performance that amazes even herself, two wyrdspinners in the audience make Reginn an irresistible offer: return with them to the Temple to be trained in seidr, forever free of Asger.

Eiric’s, Liv’s, and Reginn’s journeys converge in New Jotunheim, a paradise fueled by magic and the site of the Temple. They soon realize that a great evil lurks beneath the dazzling surface and that old betrayals and long-held grudges may fuel another cataclysmic war. It will require every gift and weapon at their command to prevent it.


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Red Hood: A Librarian’s Perspective

I reviewed Damsel last year, which is also written by Elana Arnold. I didn’t love or hate that book, but I did compare it to a bad car wreck. Damsel won a 2019 Printz Honor, which really surprised me because it felt very much like an adult book. Red Hood also feels more like an adult book than one for teens. It was a weird one for me–even weirder than Damsel was, as impossible as that seems.

AUTHOR: Elana K. Arnold
PUBLISHER: Balzer + Bray
PUBLICATION DATE: February 25, 2020
PAGES: 361
GENRE: retelling, paranormal
SETTING: Seattle, Washington; modern-day
GIVE IT TO: adults


Sixteen-year old Bisou has given up on ever getting her first period, but one night, while intimate with her boyfriend, she does. Embarrassed, Bisou runs out of the car they are in and into the surrounding woods. It isn’t long before she encounters a large wolf, which attacks her. Bisou kills the wolf and goes home. The next day, a teen boy from her high school is found naked in the woods–in the same place where Bisou killed the wolf.


Meh, I have some issues with it that I’ll get into in a minute. I didn’t really like it and probably would not buy it for my high school library. I had trouble with slow pacing, second-person narration, unanswered questions, and honestly, the whole premise. I’m shocked that it got three starred professional reviews.


Hmmm…this is a tough one. What did I like about this weird story? There were some parts that kept me turning the pages. These were more in the beginning and middle, where Bisou is trying to figure out what’s happening to her. I found myself skimming more as the story went on.

I like Elana Arnold’s writing style. Both of the books I’ve read by her have featured beautiful, descriptive writing. Both Damsel and Red Hood are unique stories that condemn toxic masculinity.


I have many issues with this book, so I’m going to go rapid-fire here:

  • I didn’t feel like I knew or understood any of the characters.
  • Bisou’s boyfriend is waaayyy too perfect.
  • Ugh, second-person narration. Why?
  • Lots of unanswered questions about the nature of the wolves (more on that coming up)
  • The climax felt very anti-climactic. A lot of long build-up about driving to the destination to confront the “big, bad wolf,” then it’s over quickly.
  • A lot of talk and descriptions of menstruation.


I’m going to focus this part of my review on the unanswered questions. It bothered me that so many things about the wolves went unexplained. Why do some boys become wolves and others do not? Is it supposed to be some sort of cosmic punishment for toxic masculinity? Is it inherited, like Bisou’s wolf-hunting abilities?

The characters who became wolves–at least the ones we know about–are all guilty of some sort of bad male sexual behavior against females. Things like attempted rape, sexual harassment, and lying about having an STD. Are these boys even aware that they become wolves? Do they have any control over it? Do they enjoy it? Do they ever attack men? Since they are hunted and killed because they are wolves attacking women (only women are attacked in the story), this would be good information to know.


What would have been a really interesting twist is if Bisou’s ridiculously-perfect boyfriend became a wolf. I kept hoping that would happen. Could Bisou kill her boyfriend? Or would she help the wolf-version of him live because he is so stinkin’ special? Or maybe he would deserve to be guided to a safe location instead? He’s not like all the rest, y’all!

My point is, the book treats the boy-wolves as though they do not deserve to live. I get that they are attacking and killing women. I get that the wolves’ deaths are in self-defense or to save the life of another. But it seems the only boys who become wolves in the first place are those teen boys who pose a danger to women. The “toxic masculinity” crowd. The wolves are never the quiet, nerdy little guy in the corner. It’s certainly never Bisou’s Mr. Perfect boyfriend.

Is murder really the only answer here? How is Bisou qualified to be the judge, jury, and executioner of boys who may not even be aware of their wolf-y actions? Why is the only option on the table the hunting and murder of teen boys?

The book treats these boys as though they deserve to die because of their toxic masculinity. Our society absolutely has a problem with men who prey on women, but the answer isn’t that these men automatically deserve to die. It’s especially hard for me to forget that these are still teenage boys who may or may not be aware of what they are doing in their wolf-forms. Why is killing them the only possible answer?


My other issue with the toxic-boys-become-wolves thread is that boys are not the only ones who are toxic. What punishment does the universe bestow on girls who do bad stuff? Girls are horrible to each other, too. Do they become death machines when they treat other girls badly? Do they also deserve to die for a metamorphosis that they may not be able to control?


If the boys become wolves because of their toxic masculinity, what cosmic power decides that this boy will become a wolf and this boy will not? Who makes that call? And if this has been going on for centuries (as is implied), why does no one know about it? Why is it not discussed? Why does no one help the boys to NOT become wolves and die? Why is hunting and killing teen boys a better option than trapping them until they morph back into humans, then trying to help them “not become wolves,” as Bisou puts it? Considering the number of domestic abuse, murder, and rape cases in our court system, why do we not have many, many more wolves running around and terrorizing women?

Anyway, this issue is the crux of the entire story, so it really needs to be better-explained. As readers, we are expected to just agree with the notion that Bisou’s killing wolves (who she knows are teen boys) and hiding their bodies is inevitable and just. But without knowing if the boys choose to be wolves and can control their behavior as wolves, I just cannot get behind that idea. And I certainly do not support the conclusion that vigilante murder is the only answer to this problem.


Bisou’s boyfriend is mixed race, and her new best friend is Black. There aren’t many characters in the story, but the rest, including Bisou, her grandmother, and another friend, assume a white default.


No artwork in the story, but I do like the cover art.


Themes: toxic masculinity, misogyny, feminism, friendship, murder, vigilante justice, assassins, hunters, family secrets, werewolves

Would adults like this book? I’m not sure. Like Damsel, this one feels more adult to me. I don’t know who I would recommend it to.

Would I buy this for my high school library? Only if students requested it.

Would I buy this for my middle school library? No. See content warnings below.


Language: The book has been returned to the library, so I cannot check for specific language. It’s been a couple of weeks since I finished it, but I don’t remember gratuitous profanity. I often don’t notice it though and rely on the e-book’s Search features to find it.

Sexuality: high–oral sex, regular teen intercourse, sexting, creepy and unauthorized sharing of nude photos, stalking, STDs (herpes), threat of rape, lots of innuendo, a boyfriend cheats on his girlfriend, Bisou’s dress comes down and exposes her breasts when she kills her first wolf

Violence: high–Bisou is tracking and killing boys that morph into wolves. Plenty of blood and descriptions of wolf-death. Blood–menstrual and human/wolf blood–is all over this story.

Drugs/Alcohol: teens get drunk at parties

Other: lots of talk of menstruation, descriptions of menstruation, Bisou’s grandmother befriends Bisou’s two new girlfriends and they all become great friends. The friendship and activities with the grandmother has a coven-feel to it. If Bisou’s grandmother were a man, her behavior would feel wildly inappropriate.




Have you read Red Hood? Thoughts on its marketing as a YA book? 

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